Audio-Technica AT2020 Cardioid Condenser Studio XLR Microphone, Very best for Undertaking/Dwelling Studio Purposes

Worth: $99.00
(as of Jul 08,2022 06:25:16 UTC – Particulars)

From the producer

Cardioid Sample

Condenser

XLR Output

Aspect-address Microphone

Options

The Normal for Reasonably priced Studio Condensers

The fee and efficiency commonplace in side-address studio condenser microphone expertise, making it very best for undertaking/home-studio functions.

Unmatched Versatility

Resulting from high-SPL dealing with and huge dynamic vary.

Customized-Engineered Low-Mass Diaphragm

Gives prolonged frequency response and superior transient response.

Sound Supply Isolation

Cardioid polar sample reduces pickup of sounds from the perimeters and rear, bettering isolation of desired sound supply.

Pivoting, Threaded Stand Mount

Attaches securely for straightforward and exact placement of the microphone.

Equipment

Stand mount for five/8″-27 threaded stands; 5/8″-27 to three/8″-16 threaded adapter; mushy protecting pouch.

Aspect
Fastened-charge again plate completely polarized condenser
Fastened-charge again plate, completely polarized condenser
Fastened-charge again plate, completely polarized condenser
Fastened-charge again plate, completely polarized condenser
Fastened-charge again plate, completely polarized condenser
Externally-polarized (DC bias) condenser

Polar Sample
Cardioid
Cardioid
Cardioid
X/Y Stereo
Cardioid
Cardioid, Omnidirectional, Determine-of-Eight

Frequency Response
40-20,000 Hz
20-20,000 Hz
30-20,000 Hz
20–20,000 Hz
20-20,000 Hz
20-20,000 Hz

Open Circuit Sensitivity
–48 dB (3.9 mV) re 1V at 1 Pa
–37 dB (14.1 mV) re 1V at 1 Pa
–39 dB (11.2 mV) re 1V at 1 Pa
-41 dB (8.9 mV) re 1V at 1 Pa
-33 dB (22.4 mV) re 1V at 1 Pa
–42 dB (7.9 mV) re 1V at 1 Pa

Impedence
100 ohms
100 ohms
250 ohms
200 ohms
120 ohms
120 ohms

Most Enter Sound Degree
136 dB SPL, 1 kHz at 1% T.H.D.
144 dB SPL, 1 kHz at 1% T.H.D.
145 dB SPL, 1 kHz at 1% T.H.D.
122 dB SPL, 1 kHz at 1% T.H.D.
148 dB SPL, 1 kHz at 1% T.H.D.;158 dB SPL, with 10 dB pad (nominal)
149 dB SPL, 1 kHz at 1% T.H.D.; 159 dB SPL, with 10 dB pad (nominal)

Dynamic Vary
113 dB, 1 kHz at Max SPL
124 dB, 1 kHz at Max SPL
126 dB, 1 kHz at Max SPL
103 dB, 1 kHz at Max SPL
136 dB, 1 kHz at Max SPL
132 dB, 1 kHz at Max SPL

Sign-to-Noise Ratio
71 dB, 1 kHz at 1 Pa
74 dB, 1 kHz at 1 Pa
75 dB, 1 kHz at 1 Pa
75 dB, 1 kHz at 1 Pa
82 dB, 1 kHz at 1 Pa
77 dB, 1 kHz at 1 Pa

Phantom Energy Necessities
48V DC, 2 mA typical
48V DC, 2 mA typical
48V DC, 2 mA typical
N/a
11-52V DC, 3.8 mA typical
11-52V DC, 4.7 mA typical

Switches
N/a
N/a
N/a
Off, on/flat, on/roll-off
Flat, roll-off; 10 dB pad (nominal)
Polar choice; Flat, roll-off; 10 dB pad (nominal)

Very best for undertaking/house studio functions; The noise stage is 20 dB SPL
Excessive SPL dealing with and huge dynamic vary present unmatched versatility
Customized engineered low mass diaphragm gives prolonged frequency response and superior transient response
Cardioid polar sample reduces pickup of sounds from the perimeters and rear, bettering isolation of desired sound supply. Output connector: integral 3 pin XLRM kind
Black speckles on the mic are a part of the design. Audio-Technica case fashion: R7